Image: The Parting by Hans Burkhardt from
Other Burkhardt art and a bio at the link.
“In 1939, Hans Burkhardt held his first one-man show at the Stendhal Gallery in Los Angeles, set up by the artist Lorser Feitelson. After his move out West, Burkhardt never returned permanently to New York and would no longer be recognized by the East Coast.”
Excerpt from http://www.calart.com/Data/Artists/Hans_Burkhardt.asp .
On the Edge of America: California Modernist Art, 1900-1950, a 1996 exhibit in West Hollywood and an accompanying book.
“Two works that are showcased in both the show and the book are Hans Burkhardt’s The Parting (1939) and War, Agony in Death (1939-40). These two anti-war paintings are for Burkhardt what Guernica was for Picasso. They are overwhelming works that display an uncanny prescience of World War II’s impact as well as a full panoply of modernist, painterly techniques. Wisely, they are hung side-by-side so that they form a heart-wrenching narrative. In The Parting a father figure bids adieu to his grief torn family, whose world is being turned upside-down. Loss and nostalgic yearning pervade the image. In War, Agony and Death the father figure has been transformed into a monstrous blood-drenched machine of death that faces a strife-torn landscape of countless crosses. In the upper left corner the same family group of The Parting appears, overlooking the universal devastation.”
Excerpt from http://artscenecal.com/ArticlesFile/Archive/Articles1996/Articles1296/CaModernistArt.html .
Label detail image from http://www.lockyphoto.com/craftsmanstudios/late-cs-california/ .
Primarily a studio producing hammered copper pieces, the Craftsman Studios also produced other items. It was in several locations from New York to Los Angeles but it was in Laguna Beach in 1939. It’s a complicated story. See the link for the details and many photos: http://www.lockyphoto.com/craftsmanstudios/history/ .
Image (right): August 30, 1939 in the Fullerton News-Tribune article via http://jesselatour.blogspot.com/2012/04/story-of-mural.html .
Image (left): Text from 1934 newspaper caption: Marie Hardy, Fullerton High School student, admires a portion of the recently finished mural along the patio of the last building. The mural and the new stadium on the school grounds were dedicated with elaborate ceremonies yesterday and Thursday. The entire city joined in the celebration yesterday afternoon [Los Angeles Times, “Fullerton Joins in High School Jubilee,” 11/24/1934]., Access to this collection is generously supported by Arcadia funds. WPA (Works Progress Administration) commission during the 1930s depicting Mexican laborers and the county’s California pioneers. It was whitewashed in 1939, Text from negative sleeve: California, Fullerton, Schools, -117.920592 via http://lit250v.library.ucla.edu/islandora/object/edu.ucla.library.specialCollections.latimes%3A6827 .
“The decision to paint over this mural probably had to do with its subject matter. It celebrated Mexican culture at a time of great racism against Mexicans, and when Mexicans were being forcefully and illegally deported back to Mexico, because white people needed their jobs, during the Great Depression.”
Excerpt from http://jesselatour.blogspot.com/2012/04/story-of-mural.html . See images of the mural and the story behind it at the link.
image: Parson Weems’ Fable, 1939. Grant Woods (American, (1891-1942). Oil on canvas. Collection of the Amon Carter Museum of American Art, Fort Worth, Texas
Artist Grant Woods’ painting shows an adult Washington recalling the famous incident from his childhood. The title comes from the name of the author who wrote the story in an 1800 book — told to him by a Washington relative.
Find out more here: https://thesaturnalian.wordpress.com/2015/08/06/grant-wood-parson-weems-fable-1939/ .